Tuesday, May 12, 2026

Every teacher and parent should read the following. Remember it was written in 1901.
Industrial Training in the Schools.
The following is the oration of Miss Ina Randall on the above subject, delivered upon graduating from The Manual Training School at Ellendale N. D., on May 17, 1901:
Since the purpose of education is the harmonious development of all the powers of man, it follows that a system of education which fails to accomplish this end is one-sided incomplete and unscientific. A training that can attain this result is one that unfolds the mental, moral and physical faculties of man simultaneously and ln so doing accomplishes an ideal and symmetrical education. It is this kind of instruction that a manual training school offers. The school that elevates labor and that honors the laborer, the school that trains man in his natural elements, the school that not only instructs but educates, not only teaches how to think but how to do—the secret of the progress of civilization.
The value of industrial training as a factor in general mental development, deserves emphasis on account of a widespread notion that such training is of importance only to those who intend to follow mechanical pursuits. To say that industrial training is of value only to prospective artisans, is as fallacious as to say that physical culture is of value only to would be athletes.
When manual training asks for admission in the regular school course it does not say, "Discard your books and use my tools," but it does say “With my tools what the brain informed by your books, directs." To neglect the education of the hand, is to lower respect for manual labor, and contempt for manual nation’s prosperity and the labor class stands in the foreground as the substantial element of its population, for it is labor, not territory, that is itssource of wealth.
Yet do not think it means the exclusive cultivation of the band, it has sprung from a purpose more profound—the recognition of the growing demand for a complete man, a man who possesses not only a well-informed mind, but one who sees with a true eye, executes with a skilled hand, thinks clearly, reasons logically, and acts wisely to requirements which enable him to follow successfully any vocation in life. To the white man, industrial training is the means of raising him above being a mere machine; to the negro it is emancipation from serfdom.
The object of work-shop practice, as a part of education, is not to teach a boy a trade, nor is it to produce the polished article of furniture; It is to teach the boy how to play the game of life successfully and it aims to produce the finished living man. And, although the carpenter’s bench and turner's lathe are employed as instruments of such training, it is not to create carpenters and joiners, but to familiarize the pupil with common substances and their physical properties, to quicken his perceptive faculties, to make him a doer instead of a mere listener and to teach him how to build character as well as to build houses.
You may know the law of the Pulley, but if you cannot apply it, it avails you nothing; you may be able to repeat the laws of Newton-—they are valueless unless you can put them to use; you may quote the philosophy of Bacon but if you cannot apply his methods, it shows that your education has cultivated your memory and allowed your reason to slumber. It has the misfortune of the old education to memorize words and not to assimilate ideas. If to memorize is learning to reason then the only requisite to become a Cicero is to memorize the rules of logic and rhetoric. Which shall we do? Shall we train eleven millions of school children simply to memorize the facts which others have discovered, to get only what someone else has digested, to toil for naught; or shall we train them to think, observe, compare, invent and classify for themselves? If the age wants a system of education that allows no faculty of the mind to lie dormant., if it wants a broad and impartial training, if it wants living men, with skilled hands as well as cultured minds for its citizens, then it is industrial education that supplies its demands. People learn to think, by thinking, they are useful by being taught useful things—dependent upon their own resources and not allowing textbooks and encyclopedias to solve their problems.
Those who think that industrial training fails to cultivate the aesthetic faculties and that industry and art are not closely related, listen to the words of Ruskin for he says, "Life without industry is guilt and industry without art is brutality." By "Art," he does not mean mere skill of the hand, nor amusement or trade, but a medium through which the mind may receive and give impressions, appreciate the great works of the past and aid in producing the great works of the future. The arts are so closely interwoven with the industrial pursuits that a decline of one would impoverish the other. You cannot acquaint yourself with manual training until you can read the language of drawing. It is a drawing that tells the machinist how to construct the locomotive, and it is a drawing' that directs every blow of the architect's hammer. Art may be represented by the carpenter with his square and saw, by the blacksmith with his hammer and anvil, as worthily as it is represented by the painter with his brush, or the sculptor with his chisel. So it is, that the useful arts are as fine as the fine arts. It is conceded by all that the fine arts stimulate a feeling of love for the good, the true and beautiful in nature, but it is doubted by some whether the fine arts are manual training, but they are manual training for any activity that employs the hand as its executor, is included in that name. As the poet puts his thoughts and ideals in words and verse, so the artist paints his in form and color, and the sculptor chisels his in marble. Drawing is the one universal language. A knowledge of the mechanical branch, enables the artisan to look at, a drawing of the steam engine, and while the untrained eye would see nothing but meaningless lines and angles, he would see in it that wonderful machine itself; the lines slide into the background, and the engine stands in bold relief before him. A knowledge of another branch enables the artist to take a canvas, of little value in self, and upon its surface reveal to us a new world endowed with the benefits of nature, making life seem large and beautiful and the meaner portion of our nature shrink from sight.
In looking at the beautiful works of art, so immortal is its spirit breathed into us that it stirs like a living voice although the busy brain and hand that fashioned them have long been dust. The poet may describe in glowing words the peasant life of France, but what he accomplishes by fifty pages—Millett does with a flash. You may look at Raphael's St. Cecelia with closed ears, but you still bear its heavenly music. Divert your gaze upon the Madonnas, and you are transported to another world, and breathe the atmosphere of the celestial beings. So great is the influence of the and beautiful that you cannot look upon the two pious figures in the "Angelus" unless you find yourself thinking as seriously and fervently as they.
If these are the emotions produced by looking upon the works of other men, how much greater will be the result by seeing nature with our own eyes, instead of the eyes of the old masters, and painting it with our own hands. Art opens the mind to a study and love of nature, and a love of nature begets a love for its Creator. It is a means of refinement, an ennobler of character, it refreshes our spirits, informs our tastes, and pours beauty into our very existence. These reasons alone should give it place among the factors that educate the world, for an education it truly is, and your character is not complete without it. Why must the Sphinx still be the greatest monument in the world, and why must Raphael's Sistine Madonna still be the most wonderful picture ever produced, and why do the old marble and canvas glow with a depth of color and eloquence that modern times cannot, produce? These facts show that the arts have been slighted and shoved aside to give greater room for more Latin and more Greek and more of the less practical things.
Industrial training demands that male and female education be placed side by side, just as God intended It. He put the sexes beside each other in Eden. He places them beside each other in the family and why not in the schools? No land will be what it ought to be, until woman is given opportunity for thorough and practical education with man. If woman is to be barred from the trades and professions, let her be trained, at least, in that one great art which she alone can perform, she alone can idealize and perfect—domestic science. True it is that when the expert dressmaker or scientific cook is wanted, demand is sometimes made upon a man, and a minority may even excel woman, but to make an artistic garment or to prepare a palatable meal is not one-half of domestic science. It means a knowledge or all kinds of household duties, economical purchase of family supplies, and general household management, and above all, it means the art of homemaking and man can never occupy the chair of this sacred profession. By training in domestic science, one is aroused in the hope of being raised from the lower mission of housekeeping to the higher mission of homemaking; from the lower mission of providing bodily comfort to the higher mission of providing the heart comfort. Woman, if she wishes to influence or rule must labor as the man, and when to be a laborer demands to be less than a woman, is time to cry halt and prepare for defense for an enemy of childhood advances.
History has told the story of the crown. Epic poetry has sung of the sword. The poet has sung the praises of the plow. And domestic science sings the praises of the needle. Skill to wield this small but powerful weapon makes a pleasure out of an occupation that once was drudgery and gives the assurance that all may become artists in their daily work. Teach your fingers cleverness with the needle and you get results which are amazing, you get thrift, a cunning hand, uprightness of soul and you will find that when you complete a garment by sewing scientifically, you have not only added to your bodily comfort, but you have added to your character. The purpose or this training, is to show that it is impossible to hide the results of error and carelessness, that it is noble to despise sham and idleness, and that it is imperative to acquire patience and perseverance. By the acquaintance of this art, the needle that for ages has punctured the eye, pierced the sides, and made terrible massacre, transforms itself from the oppressor to the cheerful slave. Stitch! Stitch! Thomas Hood has it to the music of poetry, let us train our fingers to work harmoniously to his accompaniment.
Cooking is another accomplishment of which no lady can afford to be ignorant,for it is one of the finest adornments that beautify woman, and those who are above going into a kitchen to learn this great art by actually working at it would better migrate to another world where home, industry and husbands are unknown. In cooking, there is no such thing as good or bad luck there is only good or bad management. It demands accuracy, appliance of principles, and its chemistry is as precise as the chemistry of the laboratory. This phase of industrial training commands a scientific knowledge of the nutritive value of foods, composition of simple substances, finding combination of food· stuffs that will secure the greatest strength and growth of body and brain. It demand recognition not only for its usefulness and practical value but also as an educational factor. A kitchen reflects the character of its occupant and what she cooks will tell you what her health and the health of those dependent upon her will be and how she cooks will tell you whether her knowledge of it is scientific, or whether it consists of nothing more than cookbook lore. It is bad cooking and unpalatable food that make the Americans the greatest dyspeptics on earth. Teach scientific cooking, the "whys" of its principles, and the sluggish minds, morbid dispositions and wrecks of humanity will gradually decrease.

The age of ornamental learning is passing away, the age of science and art has come, the age of industrial and practical development has begun. Educate woman in the practical things of life, place the two sexes on an equal footing, and you have a force more powerful than trained regiments. With their trained eyes, they will see into the future and foretell its needs, with their well-equipped minds devise and invent for the next generation, and with their skilled hands imprint their ideas upon matter, thus preserving them forever. This well-drilled army of workers will ever press onward and scale the highest peaks of learning until the mount "Excelsimus" is reached, then man will look backward and see how he has molded raw material into living things, and in his crown of excellence will be emblazoned these words, "Behold what my hand hath wrought," and industrial training will point to the ships that sail the sea, to the machinery that harnesses the torrents, to the bridges that span the streams, to the statutes that breathe forth life, to the homes that ensure happiness, and say “Behold my handiwork.” 

Make, fix and create...

Monday, May 11, 2026

Looking back...

 “Looking back over twenty-five years of growth, the class of 1901 feels that the N. I. is a school which has fostered the idea that work of any kind is honorable—that there is dignity in labor be it that of the mechanic, the artisan, the famer and the housewife or the teacher.”

“This outstanding feature has tended to break down class distinction, and instilled among the students a democratic spirit which fulfills one of the principal objects for which schools are created.” — Ina E. Graham, Ellendale, N. Dakota

Saturday, May 09, 2026

350 times?

 27.   Currently, top American CEO's make an average of 350 times the average corporate salary. This compares with 20-30 times the ratio in Europe and Japan. It is interesting that the current economic crisis started in the US where we have been paying too much money for too little expertise, but in Europe and Japan, they've had better corporate leadership for one tenth the expense. 


That should be telling us something. We should discharge the lot of them and hire some people with hands-on practical experience who know without a doubt which end of the wrench fits the nut.

"The civilized boy in school is taught many theories but is not required to put any of them in practice; hence he enters upon the serious duties of life unprepared to discharge any of them." This is from a discussion of the subject of technical education in London, 1885 and is quoted from Charles H. Ham's book Mind and Hand as part of his discussion of the civilizing aspects of the education of the hand:

 

“It may be said that he (the civilized boy) is in real danger of the penitentiary until he learns a profession or a trade. "Of four hundred and eighty-seven convicts consigned to the State Prison for the Eastern District of Pennsylvania in 1879, five-sixths had attended public schools, and the same number were without trades." It is noticeable also that during the same period "not five were received who were what are called mechanics." In the State of Illinois four out of five of the convicts have no handicraft. The fact that the skilled workman is far more likely than the common laborer to keep out of the penitentiary is a powerful argument in favor of joining manual training to the mental exercises of our common schools.”

 

Many of the early advocates of hands-on learning made this point... that education of the hands was a means to lift the moral fiber and integrity of the common man. But they were careful to also point to its value in the lives of all children, even those of the upper classes. Unfortunately, educators only got part of the message. And now we have CEOs in America who make 350 times the salaries of their common employees and feel that they have acquired such unreasonable amounts in some way other than the moral equivalent of theft.

So don't be diverted when people propose that craft training is only for the lower classes. The values inherent in craftsmanship and the expression of hands-on learning and skill can be important to ALL children.

Educators in 1904 and before had noted that students learned faster in less time and retained the knowledge longer when they learned through their hands. But we have made a mockery of education, attempting to increase class sizes and cut costs at the expense of our children's future.

When we know someone is all blown up with self-importance losing touch with reality, we say they are on a "head trip." I have a very strong sense of purpose in writing this. It is a "hand trip." It will take us places. Join me. All you need to do is take greater notice of the things dangling at the ends of your arms. Watch how they make you smarter, more creative, and even wise about physical reality. Then join me in pushing for hands-on learning in schools.


Make, fix and create...

Thursday, May 07, 2026

On-line learning?

According to an article on the Columbia University website, How is digital technology changing the way kids' brains learn?

"The average American kid between 8 and 18-years-old spends eight-and-a-half hours a day on a computer, listening to an iPod, watching TV, or paying attention to some form of digital technology. To put that another way, over half of an American child's waking hours are spent plugged-in. To YouTube. To Facebook. To their cell phones, you name it. As they get older, they begin to spend even more time online."

To reverse things with our kids, we must, as early as possible teach them If they are online, they are not learning the things that children have always learned in the past, how to observe directly their environment, and to make from it beautiful and useful things. And so our uncontrolled experiment in the relentless distribution of digital technologies involves the pruning of dendrites, the steady decline of human faculties, and offers profound implications for the future of human culture. 

If you want to know more about fixed and stubborn, pick up a chisel, and if you are unused to the muscularity of its use, give it try and see what you can do with it. Most adults in the US have become trained in the disuse of their muscular faculties. Is that what we want to give to our kids? Or shall we offer them the full range of human expression?

to:

Make, fix and create...

Making finger-jointed boxes

I am in the process of making finger-jointed boxes for use with art supplies or sewing. Lids and hinging will come next.

Make, fix and create...

Tuesday, May 05, 2026

Wednesday, April 29, 2026

New Winter woods boxes

 I am finishing a group of new Winter Woods boxes and working on a new book proposal to replace my now 28 year old book Creating Beautiful Boxes With Inlay Techniques.

Make, fix and create...

Tuesday, April 28, 2026

Like an old man I repeat myself.

 OUR HANDS ARE ESSENTIAL TO LEARNING-WE ENGAGE THE WORLD AND ITS WONDERS, SENSING AND CREATING PRIMARILY THROUGH THE AGENCY OF OUR HANDS. WE ABANDON OUR CHILDREN TO EDUCATION IN BOREDOM AND INTELLECTUAL ESCAPISM BY FAILING TO ENGAGE THEIR HANDS IN LEARNING AND MAKING.

Make, fix and create...

Monday, April 27, 2026

Understanding progressive education

 There is an excellent review of progressive education and its history on Wikipedia:

 https://en.wikipedia.org/wiki/Progressive_education

It is what is practiced at the Clear Spring School. There is one tremendous oversight in the article in that educational sloyd is not mentioned and should be better understood. It was a way to extend the progressivism into the upper grades.

For a view of how sloyd fits in use this link, from which article published by Woodwork Magazine and other sloyd related materials can be found.

 https://wisdomofhands.blogspot.com/2010/05/links-to-published-works.html


Make, fix and create...

Thursday, April 23, 2026

Oh, what to do?

When artificial intelligence takes your job away, remember that there's a real life that surrounds you... not a fake or artificial one, and that by watching closely to the world at hand, there are things to do that involve growth. Plant a garden, cook a meal, tend a sick child, be here now.

If the economy crumbles, remember that the statistical world in which we live and measure our worth is not the real world of immediacy... things need to be attended to in the here and now, that give joy. Caring for each other does not crash. Before there was an economy there were people getting along with each other.

Develop a craft. It need not be woodworking. Any craft will offer the chance of excellence and responsiveness to local concerns of great interest.

Make, fix and create...

Monday, April 20, 2026

Box Sale to celebrate 50 years

https://dougstowe.etsy.com?coupon=SAVE25FOR50TH

In celebration of my 50 years pf woodworking, I've put my work for sale in Etsy available with a 25% discount. Check it out. You may find things that interest you. You will need to use the code at checkout for the discount to apply. SAVE25FOR50TH

Craftspersons have been able to be creative because you make it so.

Thursday, April 16, 2026

I am involved as a participant in a class action lawsuit against Anthropic in which they used the text and photos in 3 of my books for machine training in violation of my copyrights. As a how-to writer, my area is the truth, for without the truth, my projects are not replicable by readers. As a two time Golden Hammer Award winner from the National Association of Home and Workshop and having spent two terms as president of the organization, I am particularly concerned with the publishing of testable truth. —Truth tested and assured in your own hands.

Why the concern with artificial intelligence when you can have the real smarts in your own hands?

Popular Woodworking has an article of mine in the current issue. Making a "Trinket Box". Of course the article tells how to make it.

Make, fix and create...

Monday, April 13, 2026

Modified finger joint.

Modified finger joint. You'll notice that the back edge of the box is thicker wood which will allow for expanding type barrel type hinges to be used. To accomplish this I make a small rabbet cut on each end of the back parts after the fingers are formed. Seven boxes are being made. After routing for the bottoms to fit the boxes will be assembled and lids will be made. The fronts and sides are uniform thickness.

Make, fix and create. You'll not regret it.

Thursday, April 09, 2026

Do art when AI takes your job

 A program in Ireland can help us to understand what happens when Artificial Intelligence takes our jobs and leaves us little to hope. It paid 200 artists a basic income to do their work, relieving them of insecurity. With nationalized healthcare for all, and the guaranteed income they had little to worry about but their own creativity. Paid 325 Euros a week, the guaranteed income for artists program proved itself a resounding economic success, paying back into the economy far more than what was invested in it.

https://www.linkedin.com/pulse/what-irelands-basic-artist-income-experiment-tells-us-doug-mclennan-wq7xc/?trackingId=StTIcoXmSnOG5AyQRT2myA%3D%3D

"Ireland demonstrated something more about a ground bass: economic insecurity doesn't just force workers out, it diminishes the overall creative economy. That matters enormously right now, because we are entering a period when a lot of people across a lot of industries are about to lose their job security."

What to do when Artificial Intelligence takes your job? Create! Make beautiful and useful things.

Make, fix and create...

Saturday, March 28, 2026

winter woods

This box is part of a collection that celebrates the tactile and visual experience of a walk in the woods, as the hands reach out to touch the supple, slender twigs of winter. The woods are white oak and walnut. The reeds bound in walnut and brass represent those twigs.

Friday, March 27, 2026

The value of the student's work

This afternoon I have a zoom call with fellows from the Teaching with Small Wooden Boats Alliance. It will be a question and reflection concerning who is to teach and to whom. I hope it is a useful discussion, driven in large part by the questions fellows have.

In the meantime I have a second coat of finish to apply to boxes and an additional ten made that require inlaid lids. Years ago I visualized my last years being spent in making small wooden boxes. Here I am.
Leave a legacy if you can. Remember what Otto Salomon had suggested. The value of the carpenters' work is present in the things they've crafted. The value of the student's work is in the student. I'll try for both.
Make, fix and create...

Wednesday, March 25, 2026

having fun

I've been having so much fun with a newly designed box that I've made more of them in a larger size. A couple days in the shop, you can make beautiful things that can last more than a lifetime.
Is it not time that we begin thinking of each other and less about ourselves. Do you see the sunrise? Do you see the thunderbird taking flight.
Tomorrow I have a practice zoom with Joe Youcha of the Teaching with Small Wooden Boats Alliance to prepare for a conversation zoom with their fellows on Friday.
While at work, I visualize a kinder, more gentile nation that's truly focused on the needs of each other.

Make, fix and create.

Sunday, March 22, 2026

Hygge or Hózhó?


I woke up in the night with a feeling of warmth and contentment thinking about the Norwegian word hygge for a situation of noticeable harmony, and the similar word hózhó which means approximately the same thing in Navajo.

Perhaps the feeling was inspired by reading Tony Hillerman's books about the Navajo, and noticing a similarity between native American design and that created by Norwegian craftsmen in creating Vikingsholm in Lake Tahoe. These boxes have a native American feel that could be right at home in Norwegian design.

So rather than appropriating native American design motifs I am exercising (as a half Norwegian) my own as the patterns are universal.

The patterns are created from strips of wood offset to each other and fitted into routed grooves.

May we seek harmony in all we do. Even the worst of us can serve someone as a bad example. Like it or not, we are all in this together. So get used to it and feel blessed.

The photo below shows beams at Vikingsholm decorated with patterns that are similar to my fabrication of inlay strips.

Make, fix and create.

Friday, March 20, 2026

New design boxes.

These are made of white oak and inlaid with various hardwoods. Corners are finger jointed and they incorporate various design techniques from earlier boxes.

Colors will be enriched and enhanced by a clear Danish oil.

Make, fix and create.

Tuesday, March 17, 2026

Empathy

"Empathy is the ability to understand and share the feelings, perspectives, and experiences of another person, often described as "walking in someone else’s shoes". It is a critical, teachable skill comprising cognitive (perspective-taking), emotional (feeling with), and compassionate components that foster relationships, reduce prejudice, and improve emotional regulation."

It is what Froebel perhaps had in mind as he was inventing Kindergarten. How do you share those feelings, perspectives and experiences of another person unless you have been introduced to them. The illustration of Froebel's song about the charcoal maker comes to mind. Its is from his book Mutter - und Kose-Lieder translated in English as "Mother Play," which is directed toward German mothers to help them become their child's first teacher. 

At the top left is a drawing of a hand gesture with the child's hands forming the shape of the Charcoal maker's hut. The charcoal maker when he came to town would have been a stranger to most children and frightening to some degree, being covered with soot as he sold his filthy wares. The song and illustration showed the mother and child that the charcoal maker, strange as he might be, was an important member of community life. The blacksmith working at his forge and the mother feeding her child, warmed by the fire were evidence that the child might understand and take to heart.

So, here we are at war, when we might have chosen our leaders to have empathy instead and built bridges of understanding. It's what we should have learned in Kindergarten. 

Tuesday, March 10, 2026

To arise unchanged?

 Norwegian author Jan Kjærstad wrote about the fearful power of fiction:

”We know hardly anything about our strength and possibilities. Sometimes I see man as a creature all folded up. We walk upright, but we have not managed to raise thought. Mentally speaking we are cripples …. I further imagine that books, fiction is just about the best tool for making us unfold …. And that is precisely why I am worried; why am I not hunting in a more determined way those books which will make me rise, which will make me grow a few centimeters? Because I no longer wish to be changed? I admit it: because I am afraid”.

How many books can you read that leave you essentially unchanged? There is a danger, in that if you do nothing from what is offered in what you've read, you may feel in some ways impotent and diminished. If Mr. Kjærstad or others think that reading may lead to a fearful transformation, they might try making things for awhile instead.

The change will offer less and even more to be afraid of. One might worry, "Am I to become a tradesman because of this?" Don't despair. Or be afraid. Your first efforts will not bring your whole life to such a point of risk. And even tradesmen have a value in the vast scheme.You would have to actually get good at something first, and by that time you will have discovered that what you've done is something noble that makes you of greater real value to others, easing your transition into a more meaningful life.

Today I'll cut box lids to size and fit the motion sensor light on the edge of the garage that broke off and was hanging loose. I could have called a tradesman to fix things and deprived myself of the satisfaction of having fixed it myself.

Make, fix and create...

Sunday, March 01, 2026

As is often the case.

As is often the case, I've been making parts for about 30 inlaid boxes. The woods are walnut and basswood. The fronts and backs are tenoned and the ends are routed for these parts and the floating panel bottoms to fit. Both the mortising, tenoning and the forming of the edge of the floating panel bottoms are done easily on the router table.

Next I'll make the patterned inlay and begin making the inlaid lids.

As I've done for many years, I try to keep a selection in stock, but they don't last long. You can find my work at http://dougstowe.etsy.com or at a few locations in Arkansas.

Make, fix and create...

Saturday, February 28, 2026

Woodworking with kids.

I am attempting to share a few woodworking projects that may be helpful to you as well.

https://mailchi.mp/2ccdf2238339/touching-base?e=7aba398381

Look for more in the days, weeks and months to come.

Make, fix and create...

Sunday, February 22, 2026

Verbundenheit

"Connectivity" –– what we learn in one subject area should connect us with what we learned in others. Freidrich Froebel used the German term "verbundenheit" which has been translated as conscious connection or "connectedness." The following is from my book Making Classic Toys that Teach. https://amzn.to/4kPsV85

"The Third Principle: Connectedness

Froebel’s third principle was "connectedness." While one could focus attention on facts and things in isolation, those facts and things are also deeply connected through myriad means; the child, too, should learn to see himself or herself as a part of the larger unbound world. As outlined by Froebel in The Education of Man, “Education should be one connected whole, and should advance with an orderly and continuous growth—as orderly, continuous and natural as the growth of a plant.”

One things that Froebel did not mention directly is where the connections should be made. There is a risk of creating contrived rather than discovered connections, when the teacher creates the connectiveness or connectedness and lays it before the child, rather than allowing children to discover connections on their own. So connectedness should take place within the child, in relation to his or her own experience, not be purposely laid out as one more fact to be taken in that was laid out and arranged by teachers. Just as the artificial boundaries between fields of study make school studies artificial, artifice used to stitch fields of study back into an integrated whole, sustain a disconnection between the child and the real world.

One of the points that I try to make is that learning must surprise, and thereby touch upon the sense of personal discovery that brings us to a state of educational preparedness in the form of physical, emotional an intellectual alert. A case in point is a shape that Froebel called "the doll," that was left for the child to discover on his or her own through play with Gift number 2.

Throughout the literature by and about the teaching of Froebel's kindergarten, the doll receives no further mention or illustration, as it was to be deliberately left for the child to discover without the form of interference in learning we often call "instruction."

So the question must arise for each of us, "how do we make learning as natural for others and ourselves as the opening of petals on a flower?" We do it though a process in which the student is allowed to make the connection between all things.


Wednesday, February 18, 2026

 I am working on a series of white oak boxes with faceted top panels and legs. They are nearly ready for lift tabs and hinges. The rubber band is to hold the legs in place. They will be much prettier when coated with Danish oil finish.

When things are not to your liking, to make beautiful and useful things is an act of resistance. Do not sit idly by.

I have made thousands of boxes over the years and the vast number of them have found their homes as these will. They will be a bit more lovely when a Danish oil finish brings forth the colors of wood.

Make, fix and create...



Friday, February 13, 2026

Lift yourself through the arts.

 Architect Will Price address to the Eastern Manual Education Association, 1904:

"Man at first was a naked, cold, hungry animal in a cold and strenuous world, and out of that, because of that, man is becoming worth while. That very weakness, that very nakedness, tested the ingenuity of man, compelled him to invent. Out of such invention two things came to him; in the first place, a great joy in the sense of creation; in the second place, a development because of that work.
"Man then endeavored to express his new point of view; because with his development came a new outlook, a new meaning to the rolling cloud and to the rushing water and to the lightning, to the song of the birds; and so, art was born. Art is not, as has been said, “the visible evidence of man’s joy in his work,” because it is that very joy and that very work itself.
"If art was the visible evidence of man’s joy in his work, then the rich would indeed, as they think they do, possess the hoarded treasures of the world; whereas they but gather the crumbs that fall from the artist’s table.
"The real joy, the real good there is in art (and by art I mean the art of making the dishpan as much as a statue of Phidias), the real motive of art after all, when you analyze it, is simply to make us worthwhile, to made us fit to love and be loved, fit to live together."
Make art. Lift yourself through the arts. Make the world a better place.

Sunday, February 08, 2026

In action and service.

In action and service the hands disappear as we engage in skilled manipulation of material. The man at the lathe skillfully shaping wood takes no notice of his hands. The tool and the hands holding it in well-practiced form, become an extension of his intellect as his consciousness engages directly in material and the creation of form.

Friday, February 06, 2026

Slow making

What if our new metaphor for time was craftsmanship, hours spent in caring and practiced skill?

We’ve heard of the slow food movement. The idea of making things quickly and too easily, thus providing empty calories for the creative soul, is a notion we should explore, and then avoid as unhealthy for the human spirit. Fast food or corn chips? A passage from Ursula K. Le Guin’s novel Always Coming Home speaks to me as a woodworker.

 

“It was a good thing for me to learn a craft with a true maker. It may have been the best thing I have done. Nothing we do is better than the work of hand-mind. When mind uses itself without the hands it runs the circle and may go too fast; even speech using the voice only may go too fast. The hand that shapes the mind into clay or written word slows thought to the gait of things and lets it be subject to accident and time. Purity is on the edge of evil, they say.”

 

One of the things that can slow a person down in woodworking is the knowledge that what one makes can last a hundred years or more. There are examples in museums of pieces that have lasted for their beauty and utility for years before our own. When an item is crafted with useful beauty in mind, it transcends not only the years it may last, but also the need one might feel to hurry in its making. What are the few extra minutes to do things right when each moment of attention is witnessed in the finished piece for such a lengthy span of time? What’s the rush in the light of generations? You may walk through the Frick Galleries in New York City and find things that took time in the making using skills that are now lost to most of us. …that may not be understood in the moment absorbed at a quick pace.

"Things men have made with wakened hands and put soft life into are awake through years with transferred touch and go on glowing for long years.

And for this reason, some old things are lovely
warm still with the life of forgotten men who made them."— D.H. Lawrence

How long did it take to make that? The potential customer asks in the hopes of equating your work with some level of comprehension related to their own salary, thinking only that hours spent are the same as money. How long did it take to learn to do what you’ve done so well? is a better question that might relate to your own life.   

We have become so impulsive, so undeliberative in our actions, that I urge you to contemplate the very slow making of things. Through applying more conscious attention, can we invest greater mind in the making of the things that fill our lives and awaken our sense of beauty? And what would the effects of such actions be?

It seems that much of our hurry is driven by the metaphor, “time is money.” But time is not money. It can be the opportunity to invest care, carefulness, attention, serving and listening to each other. What if our new metaphor for time was craftsmanship?

Make, fix and create...

 

 

Wednesday, February 04, 2026

After my stoke at the end of 2024, it has been made abundantly clear that contrary to misperceptions, hand skills are no booby prize for the intellectually impaired. Quite the contrary, they enable us to do for ourselves and our families and provide valuable services to others, while building toward a respect for all labor and each other.

The 800 lb. sore thumb

Originally posted August 28, 2011
One of the difficult things to talk about in the Wisdom of the Hands is the 800 lb. sore thumb in the room. There are millions of people, college graduates and the recipients of advanced degrees in higher education, who feel justified in thinking themselves the best and brightest. They were recognized by their teachers their first days in school as the smartest and best. From that firm foundation they worked hard for their degrees and invested thousands of dollars to attain a particular standing in American society. For a woodworker in Arkansas, a man holding a hammer to suggest that all those best and brightest may not be as best and bright as they have assumed themselves to be could be interpreted as an insult of the highest order. And yet, when one begins to understand the role of the hands in the creation of intelligence, one cannot help but notice the opportunity cost of decisions that were made in American education, to isolate the education of the hand from that of the mind, to separate those who have academic ambitions requiring college from those presumed ill-suited for academic pursuits destined for the trades. In our system of American education we make no allowances for late blooming. The clock is always ticking on our education, though we know learning should last for a lifetime. Too colorfully to ignore Jonathan Baldwin Turner, father of our nation's land grant colleges, wrote of the hazards of a two-tiered society in his Griggsville Address, May 1850:

"...a classical teacher who has no original, spontaneous power of thought, and knows nothing but Latin and Greek, however perfectly, is enough to stultify a whole generation of boys and make them all pedantic fools like himself. The idea of infusing mind, or creating or even materially increasing it, by the daily inculcation of unintelligible words--all this awful wringing to get blood out of a turnip--will, at any rate, never succeed except in the hands of the eminently wise and prudent, who have had long experience in the process; the plain, blunt sense of the unsophisticated will never realize cost in the operation. There are, moreover, probably, few men who do not already talk more, in proportion to what thy really know, than they ought to. This chronic diarrhea of exhortation, which the social atmosphere of the age tends to engender, tends far less to public health than many suppose."

"The most natural and effective mental discipline possible for any man arises from setting him to earnest and constant thought about things he daily does, sees and handles, and all their connected relations and interests. The final object to be attained, with the industrial class, is to make them thinking laborers; while for the professional class we should desire to make laborious thinkers; the production of goods to feed and adorn the body being the final end of one class of pursuits, and the production of thought to do the same for the mind the end of the other. But neither mind nor body can feed on the offals of preceding generations. And this constantly recurring necessity of reproduction leaves an equally honorable, though somewhat different, career of labor and duty open to both, and, it is readily admitted, should and must vary their modes of education and preparation accordingly."

Later, Mr. Charles B. Gilbert, Superintendent of the Newark, New Jersey Public Schools spoke about the danger of sacrificing our democracy on the division between academic work and skilled hand work in the 1905 meeting of the Eastern Manual Training Association:

The great function of all public schools, afterall, is not to give specific knowledge or fit for specific things, but to train democratic citizens. The attitude of the teacher toward manual training has very much to do with the democracy of the teacher. Any sort of separation of children into classes intended to go for all time through their lives is exactly antagonistic to democracy--could not be more directly antagonistic; it is the antipode of democracy... What is the great foe of democracy at all times? It is the building up of walls--permanent walls--between classes; is it not? So long as wealth disappears with a single generation or two generations there is not any great danger; but when we get into the position--condition (If we ever do)--that many of the countries of the world are in; if a child is born with the feeling that he is born in a class--that there is a great gulf or a high wall between him and his neighbor who is born in a different class; then democracy is dead."

So help me with this if you like. We know that many people learn that whatever skills and intelligence they bring to the classroom are unwelcomed and unappreciated. They learn to be still, to undervalue their own intelligence, and lose confidence as learners, lose interest in learning or in being taught. Others, gain a sense of superiority, and remaining unchallenged by the failure to attain real skills in the use of tools and real materials, do not arise to their full excitement of discovery, creativity and imagination, even while feeling themselves entitled as a part of a privileged elite.


Can you see the danger of this? It is the 800 lb. sore thumb in the room of American culture. It leaves some failing in confidence and others failing in creativity. Fortunately, the real world does capture a few of our best and brightest despite our system of education.

Superintendent Gilbert had stated in an earlier address to the Third Annual Conference of Teachers, New York City, (from the New york Times, May 30, 1897):
"The words 'manual training' do not express the meaning they were intended to convey. No satisfactory form of words brief and clear enough for general use, have yet been found to replace that now used. The idea of manual training, as understood in the schools, is to train the intellect and the hand together, each assisting in the development of all the best powers of the other."

That we have failed to understand this simple notion in modern schooling will be regarded as the greatest failing in American education.

 

Tuesday, February 03, 2026

6778

This is the 6778th post on the blog and I want to alert readers to the use of the search block at upper left that allows readers to find content by search term from the past 20 years. 

I find it useful, as it reminds me of earlier subjects I've written about. Want to know about Friedrich Adolph Wilhelm Diesterweg, for example? You can type that name in to find out his importance in hands-on learning.

Echoing Pestalozzzi, Diesterweg suggested that curricula move from the known to the unknown, from the easy to the more difficult, from the simple to the complex, and from the concrete to the abstract, describing how we all learn.

Make, fix and create...

Sunday, February 01, 2026

Finished post office boxes.

I have been doing so many other things but have gradually finished my post office boxes. I found an additional two box doors in my woodshop supplies that I'll bring to completion at a later date.

I've also been going through my blog Wisdomofhands.blogsp-ot.com, started in 2006, to extract 50 quotes which I'll share also at a later time. You are welcome to look back with me, starting in Sept, 2006. https://wisdomofhands.blogspot.com/2006/09/
Use the search function at upper left if you like.

The box shown is cherry and inlaid with native hardwoods.

Make, fix and create...

Thursday, January 15, 2026

Veneered boxes with legs

These have been in the works for a while. Clear Danish oil will be applied to bring out the natural colors of wood.

Make, fix and create...

Friday, January 09, 2026

Post Office box doors

In about 1977 I had been given post office box doors from my father who had purchased them at auction in Valley Nebraska when the old post office had been torn down. Planning to make post office door banks, I visited Nations Hardwoods and bought various interesting and contrasting woods. To do right by the ornate brass doors and to honor the gift from my father, I went to bed that night and "saw" the means to fabricate inlay to be used on each one. They were sold at Nelson Leather Company in Eureka Springs.

Two leftover doors found use, one as a gift to my daughter, and one as a bank for receiving contributions to the Carnegie Public Library. When the one from the library was stolen and likely destroyed, I used ebay.com to find replacement doors to make them a new inlaid box.

What you see in the photo is one currently being crafted with the two remaining doors, as I am currently trying to clear up a few projects, crafting a clean slate. The tape is to remind me of the combination.

Make, fix and create...