Educational Sloyd is not practiced in Scandinavia as it was in the 19th century. There has been exploration and refinement and it is much more focused on creative engagement than it once was. So when people ask whether my woodworking program at Clear Spring School is "Sloyd", it depends on which century you are looking at. My purpose has never been to exactly replicate the Educational Sloyd from 1876. In Scandinavian countries, Norway, Sweden, Denmark and Finland, as well as Estonia and Latvia, an interest in Sloyd and its development has been sustained for almost a century and a half.
Otto Salomon saw his own particular work as a "casting mold" that would be broken so that other forms would evolve from it.
So here we are. 2017. What can we learn about education from Educational Sloyd? One thing for sure. They still have it in the Scandinavian countries. In the US, manual arts have been largely abandoned, particularly in the lower grade levels. Standardized testing does not measure either hand skills or creativity, so in the American teach-to-the-test obsession, there's too little time in school for the arts, particularly those requiring the use of tools.
The volume produced by the Crafticulation Conference and published by Nordfo shows that Educational Sloyd is a still rich field of study. The guiding principles described by Otto Salomon still are valid, and should guide the whole of education at all grade levels:
- Start with the interests of the child.
- Move from the known to the unknown,
- From the easy to the more difficult,
- From the simple to the complex, and
- From the concrete to the abstract.
The photo shows the use of a Sloyd knife.
Make, fix, create, and help others to discover learning lifewise.
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