Examples of how little we are conscious of our everyday behavior can be multiplied almost anywhere we look. Playing the piano is a really extraordinary example. Here a complex array of various tasks is accomplished all at once with scarcely any consciousness of them whatever: two different lines of hieroglyphics to be read at once, the right hand guided to one and the left to the other; ten fingers assigned to various tasks, the fingering solving various motor problems without any awareness, and the mind interpreting sharps and flats and naturals into black and white keys, obeying the timing of the whole or quarter or sixteenth notes and rests and trills, one hand perhaps in three beats to a measure while the other plays four, while the feet are softening or slurring or holding various other notes. And all this time the performer, the conscious performer, is in a seventh heaven of artistic rapture at the results of all this tremendous business, or perchance lost in contemplation of the individual who turns the leaves of the music book, justly persuaded he is showing his very soul! Of course consciousness usually has some role in the learning of such complex activities, but not necessarily in their performance, and that is the point I am trying to make here.So a natural assumption made by most, particularly by those primarily engaged in activities where hand skills are not required is that the expression of skilled hands is a mindless activity. But even things so well practiced and rehearsed that they may be performed unconsciously are valid expressions of human intelligence in that they represent investments made by human consciousness.
Consciousness is often not only unnecessary; it can be undesirable. Our pianist suddenly conscious of his fingers during a serious set of arpeggios would have to stop playing.
Make, fix and create...
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