TGIF …Once again it is Friday and my day to compete with the Chinese. So I have been sanding small boxes (something that could be a near-mindless activity) and reflecting on the unconscious nature of the hands. As I’ve quoted before from Jean Jacques Rousseau, “Put a young man in a wood shop, his hands will work to the benefit of his brain, he will become a philosopher, while thinking himself only a craftsman.” (Don’t look for this quote in English translations of Emile, as you won’t find it exactly as quoted here. It has to go from French to Swedish to English to arrive at this understanding). I want to explain a few things about the hands and how they work, and how they open the mind to exploration of philosophy.

At first, as the hands learn a skill, a great deal of mind and attention are required for their control. There is a constant back and forth feedback loop between the senses and controlling structure in the hands and the processing power in the brain. As the control of the hand activity becomes more clearly established, some of the feedback loop moves from the foreground of thought to an unconscious realm. This liberates the processing power in the brain to engage in mind wandering activity. If you have paid the slightest attention to the workings of your own consciousness you can see the truth in this, and a classic example is driving a car. Once you have mastered steering with your hands your processing power is made available to carefully observe the road, watch for danger, make decisions about your route and your destination, and even allow your mind to wander to things completely unrelated to driving the car (cheeseburgers and cell phones?).

Every act of making, whether in wood, metal, cloth or clay is a moral act, shaped by thought, belief and desire. Decisions are made in making that reflect values, and in the act of making, those values are placed on the line as an expression of the character and quality of the maker that can be read and understood by others by examining the usefulness, beauty and quality of the object made. So what about the processing power of mind that is liberated when the hand’s work is mastered? That is the space in which philosophy is mastered as well… that opening of mind that lies well beyond the idle, detached-from-reality speculations of traditional philosophy.

In that space between the direct attentions that are required to complete the object, and the proficiency that grows to allow the wandering exploration of mind exists the potential for the development and expression of the human spirit.

A friend of mine had called it dual awareness. In the relationship between the hands mind and materials, there is a rhythmic expansion and contraction of required attention in relation to the object. By observing how our attention is balanced between the object being made and the normal tendencies for the mind to wander into other places and scenarios, a sense of our dual nature is attained. The maker is given a choice… either follow the wandering mind until difficulties arise in the making of the object, forcing attention to return, or consciously choose to hold focus directly on the object, instilling a vital force of attention into the psychic structure of the object itself. The maker can take either the easy pathway of escape into fantasy until called back to reality by the materials being crafted, or the maker can apply his or her attention continuously to the making of the thing. The first is the path of least resistance, the second is the path of the peaceful-warrior/maker. The first describes the making of objects of practiced beauty. The second describes the making of objects with inexplicable radiance, and yet, how many do you think can dwell in that perfect state?

And so we come to the philosopher in the wood shop. He becomes a student of his hands and his attentions, and from that foundation explores the very nature of life and perception. When his mind wanders, he pulls it back from circling mundane thoughts of common life, to the task at hand, or failing that, onto the subjects of quality, beauty and mindfulness and to the people with whom he would share his work. Having heard of the peaceful-warrior/maker and having once seen her work, he is reluctant to squander his attentions on the mundane.

So, today, I am sanding boxes. My mind wanders. I try to place it more firmly in the moment, and from what I see and feel in my own hands and from the attentions I apply in the making of these few things, I have a hope that a few things in the world might change in the guidance of my own hands.

The photo above is of boxes being sanded. Sorry this is so long. With practice, I hope to get the concept down to 29 words or less.